One afternoon, 1971, Rubens Paiva, a former congressman and an open critic of the newly discovered military dictatorship of Brazil, government officials took over from his house in Rio de Janeiro, he said nothing more to give a “deposit” to the authorities, and the authorities disappeared. Adapted from the memoir of his son Marcel Rubens Paive, this irresistible, richly realized political drama of Walter Salles (motorcyclical diaries) remains firmly fixed to the perspective of Rubens’s wife, Eunice (broken Fernanda Torres), whose non -finite search for the truth about the truth about the truth about the truth about the truth about the truth about the truth about the truth would have stretched for decades. Destroying true story, I’m still exciting here in my representation of human persistence before injustice. They contain a deep impact on the appearance of Fernando Montenegro, nominated for an Oscar for the Central Salles station. Edition Sony Pictures Classics edition.

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